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| Photo: Steve Erle |
She was mostly in tans and earth tones that
year, and a lot of her shots take place against this craggy, grey
wasteland, making the shoot less beachy, more post-apocalyptic.
This
is the opposite of a high-cut suit, but it is no less sexy for it. It
taps into my love of the full-body sheath of a one-piece, but moreso.
Then it adds a wonderful wet cling — psychedelic swirls where the fabric
hugs her, alongside a few islands where it’s drier, or where there’s a
bit of space between the suit and her body.
There’s a lot of engaging detail, I guess is what I’m saying.
Top
it off with a cleavage-window and Jessica’s sly “I know what you’re
thinking” side-eye, and it combines everything I love about her.
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