Setting aside that it's a crime Ehrinn only did one year, some of her pictures from that year are the best compositions I've ever seen in the Swimsuit Issue. Walter Iooss got the lighting just perfect in a few of those.
They're also great throwbacks to when the models were allowed to look more real and less the product of computer programs.It's eye-opening to look back on how different it was even ten years ago. I think now there's less artistry in service of more straight-up titillation.
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